Arts

Called "No Fillings for a Copper Plate," Ryan Kitson's installation at the Arts Center at Duck Creek consists of several copper plates riddled with multiple holes made by bullets entering and exiting through either side.

South Fork dealers have opened new shows in New York City, exhibitions open at Skarstedt here and in the city, new virtual offerings, and more.

A new remote In Process at Watermill Center, the Plain Sight Project comes to the Parrish, staff changes at Guild Hall, and a talk about birds in honor of Peter Matthiessen.

Reggie D. White turned to lesser-known speeches and interviews and writings of 20 people ranging from James Baldwin to Stokely Carmichael to Angela Davis as inspiration for "In Case You Hadn't Heard: A Conversation Between America's Past and Its Promise." It will have its world premiere via Bay Street and Zoom on Monday.

Clintel Steed is one of more than 2,000 artists who have pushed back on the extended delay of the museum show "Philip Guston Now." His new series "Behind the Hood," on view at the Mark Borghi gallery in Sag Harbor, presents his own take on the subject matter.

Three photographers at Drawing Room, copper plates in the woods, Ross Bleckner at Van de Weghe, and more

At The Church in Sag Harbor, where Eric Fischl and April Gornik have transformed an old church into a multidisciplinary arts space with residencies, two projects have been progressing this month.

A discussion of the future of museums and their relevancy and honors for Bay Street Theater

The working process of Claire Watson, from her early 1990s transformations of ordinary tobacco pipes into extraordinary objects to her recent constructions assembled from leather pattern parts, thread, and wood veneer, can be seen as a form of alchemy, one that often emerges from her personal history and her research.     

Hamptons Film honors Black History Month with a talk from its October festival on "With Drawn Arms." Other new releases are available to stream through its website.

Jade Ford found love and a new career path as a traveling tailor and an up-cycled fashion designer in East Hampton after moving here from Brooklyn five years ago.

Kelly Taxter, a curator of contemporary art at the Jewish Museum in Manhattan, has been named the director of the Parrish Art Museum, the museum announced last week.

Connie Fox goes solo at the Hecksher, six speak on "East End Collected 6," love-themed exhibitions, and more

It's not too late to sign up for Bay Street Theater's wine tasting benefit in partnership with Wolffer Estate Vineyard on Feb. 24. The deadline has been extended to Wednesday.

At times, one can enter Keyes Art in Sag Harbor and see a pared-down exhibition, similar to any other buttoned-up gallery in the region. In all the best ways, this is not one of those times.

An introduction to the Bel Canto Boot Camp, prepared specially for Guild Hall, will take place online Thursday at 6 p.m. and be followed, on four consecutive Sundays starting this week, by sessions organized around specific themes.     

Michi Itami has worked in a variety of mediums -- printmaking, ceramics, painting, digital photo collages -- but as an artist and teacher, her attitude is consistent: “If you just listen to what they say you have to do, you don’t get anywhere. If you step outside of the box, if you just think creatively, there’s so much you can do.”     

In a tribute to Black History Month, the Sag Harbor Cinema is launching a new series of Cinema Minutes devoted to pioneering Black filmmakers and stars.

Tomashi Jackson speaks at the Parrish with Minerva Perez, new work by Monica Banks in a Southampton Village storefront, and a Lee Krasner talk via Phillips auction house.

A virtual film watch party, online stand up through Bay Street Theater, and a new concert series by the Perlman Music Program

The East Hampton Historical Society’s annual winter lecture series, which will take place virtually this year, will launch Friday evening at 7 with “I Remember When: John Howard Payne’s Memories of Old East Hampton and His Life, 1791-1852.”

A new show at Firestone in N.Y.C. and a talk on James Schuyler at the Parrish Art Museum

The Watermill Center has announced its artist residents for 2021, but some will participate virtually in what the center called “our first-ever hybrid” residency program.

Trying to capture the essence of William Quigley is like chasing after a drop of water in a pond. The words come fast and his stories spread out so quickly, it's near impossible to grasp their entirety.

When he teaches acting classes, one of the first things Ben Vereen asks his students is more practical than inspirational. "You're bringing your monologues and songs — but why?"

On Sunday, Art as Ecosystem, discussions through the Guild Hall Academy of the Arts and The Church in Sag Harbor, will examine “Building Community Through Artist-led Transformative Spaces.” On Monday, it will begin a series of virtual conversations led by Black and indigenous leaders.

It is impossible to imagine Jack Lenor Larsen's energy lying dormant, but it is also not necessary, because his legacy, LongHouse Reserve, lives on after him. The stewards of the East Hampton garden and arts center he opened in 1992 are determined that the site endure and thrive.

A new series of conversations, "Cinema Live," will feature interviews with directors whose films can be accessed on the Sag Cinema's website during the coming weeks.

The Parrish brings its tours outside, new shows at Halsey McKay, Mark Borghi, Keyes, and Roman, and more

On Saturday, A.I.A. Peconic, the local chapter of the American Institute of Architects, announced its annual awards during an evening Zoom presentation.