Arts

This year’s artist at the Dan Flavin Art Institute is Jacqueline Humphries, who divides her time between New York City and Southold. Her recent black light on fluorescent cast works are an expansion of the black light paintings she has been making since a 2005 fire in her studio caused her to rethink her practice.

Those who were enthusiastic about the possibilities inherent in the restoration of the Thomas and Mary Nimmo Moran Studio years ago will rejoice in the announcement of the exhibition “Thomas Moran Discovers the American West,” which will go on view there on Saturday, running through early November.

A visit to the home of Jeremy Grosvenor, Saskia Friedrich, and their son, Mamoun Friedrich-Grosvenor, 23, in northern Sagaponack provided an object lesson of sorts, specifically with respect to the behavioral trait of creativity. All three are artists, although there are distinct differences in how they think about art and characterize their practices.

Birdhouse is back, Renate Aller at Parrish and MM Fine Art, new shows at RJD, and a show at Temple Adas Israel

 “G.E. Smith’s Portraits,” now in its fourth iteration, was conceived in 2015 and produced by Taylor Barton as a series of intimate evenings featuring actors, painters, and fellow musicians. Its first concert of the year will feature Loudon Wainwright III and John Wesley Harding at Guild Hall.

Bill O’Connell, a pianist who lives in Montauk and Rockland County, is one of very few non-Latinos to make significant contributions to the Latin jazz movement.

Django Festival Allstars at Guild Hall, here comes Pianofest, "Mailing Whaling" opens at Whaling Museum, and more.

“One Night in Central Park,” a two-hour examination of the Central Park jogger, made extensive use of courtroom drawings by Marilyn Church, now they are in an opera about the case playing in Southern California.

The latest gallery arrival on Amagansett's Main Street is ARC Fine Art, an import from Connecticut with ties to the region. Adrienne Ruger Conzelman, its proprietor, has been coming to East Hampton for many years and showing art informally on the East End in pop-up spaces. She has decided to formalize that relationship.

There is a sense of tangible danger in recent years on the South Fork. This peril does not derive from a murder or a slew of rip currents, although those are sobering in their own right. This precariousness stems from a material loss that carries a metaphysical threat, a loss of identity.

The question that came to mind over and over again while watching “Maiden,” the first SummerDocs offering of the 2019 season, was “Can this really be 1989?” 

New installations of Lawrence Weiner and Stephen Talasnik at LongHouse and new shows at Ille, Rental, White Room, Ashawagh, Estia, Keyes, and Markel.

“Safe Space,” a new play by Alan Fox having its world premiere at Bay Street Theater in Sag Harbor next week, explores the detonation of issues related to identity politics, racism, and political correctness on the campus of an elite American university.

For 35 years, Andrew Visconti has been the American correspondent for an Italian news syndicate. But now he is turning his energies to writing a memoir and wants to help others pursue the same goal.

Summer Songs, the Pat DeRosa Jazz Orchestra, Much Ado About Madoo, and more

Nancy Schwartzman’s “Roll Red Roll,” a selection of the 2018 Hamptons International Film Festival, will be screened Monday on PBS as part of the public television network’s documentary series “POV.”

This year’s Jazz for Jennings benefit for the Bridgehampton Child Care and Recreational Center will take place on June 23 from 12:30 to 4 p.m. at the Watermill Center. The jazz brunch and concert will feature Evan Sherman as bandleader. 

The event follows the tradition established by the late Peter Jennings and his wife, Kayce Freed Jennings, who hosted Jazz @ Jennings at their house in Bridgehampton for eight years. The center has served the children of the Bridgehampton community with educational and enrichment programs since the 1950s. Tickets start at $500.

Sam Green’s most recent project, “A Thousand Thoughts,” a collaboration with the Kronos Quartet at Guild Hall on June 21, blends live music and narration with archival footage and interviews such prominent artists as Philip Glass.

The exhibition title “Go Figure” at the Eric Firestone Gallery in East Hampton has multiple meanings, which suits an exhibition that exuberantly presents a plethora of ways to address the genre of figurative art.

New shows at Harper's Books, Studio 11, Ashawagh Hall, Grain Surfboards, and other venues

When he was 23 and just out of New York University’s musical theater program, Walker Vreeland took a job as a lead singer for Norwegian Cruise Lines, never suspecting that the voyage would last a decade and include a stopover at John Hopkins Hospital’s Mood Disorder Psychiatric Ward.

Andromeda, as the classical Greek myth goes, was the victim of the hubris of her mother, Cassiopeia, and the god Poseidon’s rage, and in the end was saved from a sea monster by the hero-god Perseus. But along the way, one never really hears from Andromeda herself.

And that always bothered Kate Mueth, the founder and artistic director of the Neo-Political Cowgirls, whose recent theatrical portrayals of “Andromeda” have flipped the script on the myth in such a way that the protagonist has a say in her own story.

When the Fugitive Slave Act of 1850 was passed by the United States Congress, abolitionists nicknamed it the “Bloodhound Law” for the dogs that were used by bounty hunters to track down runaway slaves. Not only were runaways pursued, but the law also resulted in the kidnapping and conscription of free blacks into slavery.

Levain Bakery’s chocolate chip walnut cookies should probably come with a warning label: These cookies are known by the State of New York to be highly addictive. Huge and gooey and packed with chocolate chips just this side of melting, they have been named to just about every best cookie list in New York, which helps to explain the famously long lines outside of Levain’s 74th Street and Amsterdam Avenue locations.

We are accustomed to seeing “small works” shows in the winter around the holidays, when people are thinking about gifts. The high season is typically known for larger, even colossal works, both in size and spirit.

A new comedy-drama called “The Prompter” is getting its world premiere now through June 16 at Bay Street Theater in Sag Harbor. The play might be what one calls a “grower” — that is, a work that is slow to build but keeps gaining momentum until, almost before you realize it, you find yourself in the emotional grip of its two-person cast.  

“Younger,” Darren Star’s delightful indulgence of a series that started off slowly on TV Land but has built its audience steadily year after year, primarily by word of mouth, is back for its sixth season, beginning Wednesday night.

The director John Landis is best known for his comedies, among them “National Lampoon’s Animal House,” “Trading Places,” “Three Amigos,” and “The Blues Brothers.” But that’s not why Giulia D’Agnolo Vallan turned to him to select the Sag Harbor Cinema Arts Center’s next film series.

“Framing John DeLorean” will be screened by the Hamptons International Film Festival on June 8 at Guild Hall. Distributed by Sundance Selects, it will open in limited release in theaters and video on demand on Friday, June 7.

HIFF focuses on caddies, Montauk Library celebrates female composers, Brazilian jazz at SAC, chamber music at Perlman