We should see our history whole, not just cherry-pick the good parts.
We should see our history whole, not just cherry-pick the good parts.
It was a proud father moment for me watching the East Hampton Village Board meeting two weeks ago.
How about the worker bees getting their due for a change?
When I interrupt, it isn’t because I want to stifle discussion, it’s because I want to extend it.
It seems to me that we Americans assume that the things we surround ourselves with are made not by actual people, but through some form of immaculate extrusion.
It’s 2021 and the voices of artificial intelligence that call our landlines attempting grand larceny never sound as human as Hal 9000 did.
Good times, literally and figuratively, at a massive college cross-country meet in an unlikely place — the National Warplane Museum in northwestern New York.
Someone said that he thought it was the last day of summer, but there was too much going on to reflect then upon the waning light.
There is a deepening frustration with the East End’s direction.
How pleasant it must have been to be an inhabitant of that now-distant Cheever America of General Electric affluence, Buicks and Panasonics, and 10,000 swimming pools.
There’s a qualitative difference in pleasure between typing names into the YouTube search box and sheer happenstance over the airwaves.
“We’ll always have the Wyndham Greencastle Super 8.”
So far I have spent only one night aboard Cerberus, as my work on it continues.
Help comes for a car that gives up the ghost.
This is the time when the fledged osprey learn to fend for themselves
Nothing is cozier and more hygge to me than the East Hampton Library. The library and I go way back.
When you hear corporate titans and the 1 percent rail that the Democrats’ efforts to revive the middle class in this country are “socialistic,” remember what the founding fathers said.
Too often we define ourselves by what we aspire to, rather than what we already have.
It’s up to us, to our inner drive, not to school ties or pedagogical assessments, as to whether we straighten up and fly right.
In seventh grade at the East Hampton Middle School, our math teacher taught us how to balance a checkbook by having us each run an imaginary store.
In Netflix’s “The Chair,” one of the backdrops is declining enrollment at a small liberal arts college, and an English department, if not an entire discipline, in existential crisis.
“I almost got court-martialed for wearing frayed cutoff shorts like that,” I said to Ed Hollander in the early going of the recent Artists-Writers Softball Game.
A three-way conversation that I had by chance over the weekend inadvertently got to the root of something that underlies a lot of conflict here — resistance to change.
A storm’s merely glancing blow leaves a parent free to focus on a daughter’s wrenching departure for college.
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