Arts

Reviving a timeless musical is not as simple as it might seem. In the case of “Annie Get Your Gun,” which will open next week, Sarna Lapine, the production’s director, consulted four different versions of the script.

New environmental film festival in Montauk, Laurie Anderson at Ross School, a drama set at Camp Hero, and more

Dining, creativity, surfing, and roots music are on Guild Hall’s cultural menu this week, starting Sunday morning, when “Stirring the Pot,” a series of culinary-centric conversations, will feature Tim and Nina Zagat, who founded the Zagat Survey 40 years ago. Initially a collection of reviews of New York City restaurants by diners, the survey at its height included 70 cities. In 2011, Google acquired it for $125 million.

The Watermill Center’s Viewpoints lecture series, which draws speakers from diverse disciplines to discuss ideas and issues important to contemporary discourse, will launch next Thursday with Penny Arcade.

There is a much to see and admire in “Compendium Part II” at Mark Borghi Fine Art in Bridgehampton with a few standouts in the mix of postwar and contemporary art.

Studio tours, Ann Temkin talk, Claude Lawrence at Keyes, new group at Grain Surfboards, and more

The Perlman Music Program is observing its 25th anniversary this year, a celebration of outstanding musical achievement and the development of a year-round educational, nurturing, supportive community of musicians.

“Art as Ecosystem 1,” the first of two talks at Guild Hall moderated by the artist Eric Fischl, will bring together art world luminaries to take the measure of the discipline’s health and vitality. The venue will also present a doo-wop concert, and the American Modern Opera Company.

Donna Karan and Julian Schnabel to be honored at LongHouse, an outdoor “Bowie Show” in Southampton, and the Great American (Folk) Songbook in Bridgehampton.

Jakob Dylan is capping off a busy year with a visit to the South Fork. His film “Echo in the Canyon,” about the Laurel Canyon music scene in Los Angeles during the 1960s, was released in late May, and he is on tour with his band the Wallflowers this summer.

What to make of “Cold Case Hammarskjold,” Mads Brugger’s idiosyncratic odyssey into the vile heart of African colonialism and the conspiracy theories surrounding it to this day?

Growing up, Rebecca Knox, who just wrapped the final season of “Orange Is the New Black,” never acted in school. In fact, she never raised her hand in class, because she knew she would turn bright red and feel like throwing up. “I hated an audience,” she said at her family’s house in East Hampton. Next week she has a short, “Cavity,” screening at Guild Hall.

Entre nous, times seem a bit tight at Chatsworth House in England, the Duke of Devonshire’s baroque jewel in the Derbyshire countryside, about 160 miles north of London. Peregrine (Stoker) Cavendish, the 12th duke in the Devonshire dynasty, which began in 1640, was onstage recently to tell a packed John Drew Theater all about noble poverty and his leaky ancestral home.

New shows at Rental, Firestone, Lehr, Ille, White Room, and elsewhere.

Amagansett’s Upstairs Art Fair, a small but well attended fair attracting innovative dealers from the East End and New York City, will return for its third iteration this weekend at its home on the top floor at the old Amagansett Applied Arts building at 11 Indian Wells Road.

The Bridgehampton Chamber Music Festival’s theme this summer is “Winds of Change,” which has a triple meaning: music for woodwind instruments, music by women composers, and, more broadly, musical and societal changes.

Philharmonic and dance at Guild Hall, "Mental Illness and Artistic Genius," an Eco-Musical, a Halston Documentary, and more.

Maria Bacardi left Cuba in 1961, when she was 4 years old, but, as she has said, “I am not in Cuba, Cuba is in me.” Her immersion in the history and culture of her native country is reflected in the music of her new album, “Duele (It Hurts),” released in May.

“East Enders,” a two-part music festival organized by Peter Watrous, a guitarist and former music critic for The New York Times, will launch this weekend at the Arts Center at Duck Creek in Springs with three performances that explore the relationship among jazz musicians, artists, and writers during the heyday of Abstract Expressionism.

The fifth year of the Southampton Jewish Film Festival is now underway with weekly screenings on Tuesday evenings through August at the Southampton Arts Center.

Looking up from a long dining table in Ms. Bracco’s Bridgehampton great room, there are two framed photographs of her and the full “Sopranos” cast and two drawings by her grandchildren. “Yes, that sums up my life a bit. It really does,” she said with a laugh last week.

“Three Perspectives on the Decorative Arts,” a lecture series at the Southampton History Museum organized by Tom Edmonds, its executive director, will kick off Saturday with “Roaring Into the Future: Art Deco and Early Modernism in New York, 1925-1935,” a talk by Lori Zabar.

A terrific new play, “Safe Space,” is getting its world premiere at Bay Street Theater in Sag Harbor. Undoubtedly bound for larger theaters, it’s about as can’t-miss as local theater gets.

The Choral Society of the Hamptons and the South Fork Chamber Orchestra recently performed some of Mozart’s lesser-known choral works, composed before he was 24 years old. The ensemble, under the spirited direction of its music director, Mark Mangini, performed with professionalism and enthusiasm.

Kabakovs speak at Art Barge, Marcus Brutus at Harper's, Eastville's historical photographs, Maynard Morrow and Material Lust at Fireplace Project, and more

An architecture tour in Southampton, jazz in Montauk, and a screening of “His Girl Friday” in Sag Harbor.

The Amagansett Library will launch “Secrets in Family Documentaries,” a series of four films that explore different approaches to telling stories behind family secrets, with “Little White Lie,” a film by Lacey Schwartz, next Thursday at 6 p.m.

Guild Hall will celebrate the artistry of the instrument with the second annual Guitar Masters festival, starting Friday when no less a master than Buddy Guy takes the stage at 8 p.m. On Saturday, the Allman Betts Band, featuring three sons of the Allman Brothers Band, takes over. On Sunday, another offspring of a legend, Roseanne Cash, will close out the festival with a band that includes the guitarist John Leventhal.

Two new works recently joined the other installations and objects that came this year from Young Jae Lee, Will Ryman, Jun Kaneko, Wendell Castle, and Joseph Walsh. They are “Out of Sight,” an installation resembling a hopscotch board by Lawrence Weiner, and Stephen Talasnik’s “Echo,” floating reed bamboo “habitats” in the Black Mirror fountain.

New shows at Borghi, Grain, Kramoris, Drawing Room, plus exhibitions at John Jermain and Amagansett Libraries, the Pollock-Krasner lecture series begins, and more.