How does an artist reconcile the traditions of early landscape photographers with the imperatives of contemporary art? In the case of Thomas Joshua Cooper, he uses the best of both to invent something that is both paean and disruption.
How does an artist reconcile the traditions of early landscape photographers with the imperatives of contemporary art? In the case of Thomas Joshua Cooper, he uses the best of both to invent something that is both paean and disruption.
A benefit salute to Ken Robbins, AAEH's "Visions of Spring," White Room goes "Retro," Keyes Art's "Women," and much more
Season previews through immersive theater, storytelling at SAC, Gene Casey in Bridge, Japanese textiles, and much more
HIFF will present three films that recreate the feeling of being at important European exhibitions of masters of painting throughout the centuries.
Blanche Wiesen Cook, who wrote one of the definitive biographies of Eleanor Roosevelt, will speak about her subject on Saturday as part of a daylong event to raise awareness of several initiatives involving the former first lady.
Guild Hall’s new public database of its permanent collection has been greeted by some with surprise. It is not the multiyear project that culminated in its going live in February that raises eyebrows so much, rather it is the notion that the museum has a collection at all.
The Hedges-Edwards Barn, dating from around 1770, was originally located on the west side of Main Street in East Hampton, where the library now stands. E.J. Edwards first moved it around 1910 to his nearby property on Edwards Lane.
“Man of La Mancha,” the classic 1965 musical, will open at the Quogue Community Hall today and run through April 7. The production is the first fully staged musical in the 34-year history of the Hampton Theatre Company.
The photographs of Renate Aller and Jean-Luc Mylayne reflect an obsessive focus on the poetry and mystery of the natural world. On Sunday, the Parrish Art Museum in Water Mill will open solo exhibitions of each artist’s work that complement each other while at the same time highlighting the differences between their approaches to their subject matter.
This is a story about the spiritual inhabitants of places where you might expect them — the Rogers Mansion and the Thomas Halsey Homestead, which are part of the Southampton History Museum — and a place you would not: the East Hampton Library.
He may be most beloved as celluloid’s eternal youth in “Ferris Bueller’s Day Off,” the 1986 John Hughes film that never ages no matter how dated the references and fashion. Yet the Amagansett part-timer Matthew Broderick has proven himself a flexible and consummate actor in the years since in many featured and walk-on roles in film, theater, and television, including one of his biggest star turns on Broadway and then in the movie version of “The Producers.”
If you thought Stormy Daniels was in the midst of a whirlwind, you should speak to Nika Nesgoda. The Amagansett artist and Columbia University graduate student recently discovered that Ms. Daniels, the porn star whose alleged 2006 affair with the president has captured international attention, had modeled for her in 2002 under a different name.
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