The Bruce High Quality Foundation's final Brucennial, a biannual event timed to the Whitney Museum of American Art's Biennial exhibition, is devoted only to women, this year in its final iteration. 

     Although there were rumors that some men submitted under female names, there was enough sheer quantity to earn the anonymous group a record for the largest female exhibition.

     Representing the South Fork were artists such as Marilyn Church, who is known for her courtroom drawings, but is also an accomplished abstract painter, as well as Lola Montes Schabel and B

     Li-lan, an artist who has had a studio in Springs since the 1970s, celebrated the publication of a monograph, "The Art of Li-lan: A World Achieved" with text by Carter Ratcliff, a poet and art critic for Art in America, on Thursday night at the Rizzoli book store on 57th Street in Manhattan.

     The Watermill Center was the scene of a durational performance by Temporary Distortion on Saturday afternoon and evening. The New York City based performance group is in residence at the center and working on a new piece, My Voice Has an Echo in It.”

     Lasting six hours, the audience was invited to come in for parts of it or the entire piece. It was the first time the group had performed all six hours. They will tour France with the piece later this year.

     While a discussion in an East Hampton community newspaper blog of the relevance of an Italian movement from the early part of the 20th century that has little to do with New York, let alone the East End, may be off-topic, it is still one worth offering.

     The Solomon R. Guggenheim Museum has given over its vast spiral to the fullest examination of Futurism ever presented outside of Italy. Opening on Feb.