"When the museum temporarily closed the building, we realized, like everyone else, that the digital platform was our smoke signal, our flare, our communication. We started to look at our Instagram and we wondered how can we make it a little meatier."
Tomashi Jackson's Parrish Art Museum project, "The Land Claim," focuses on historical land rights and appropriation in the United States, and, specifically, historic and contemporary issues that have affected indigenous, Black, and Latinx families on the East End. She will be part of a streamed discussion on Friday.
If there is a small silver lining during the widespread shift to online cultural programming necessitated by Covid-19, it is, as Andrea Grover, Guild Hall’s executive director, says, “Seating is limitless in the virtual realm.” Which is a good thing, because Sunday’s staged reading of “Same Time, Next Year” with Julianne Moore and Alec Baldwin would surely be a sellout if it were a live production.
Bryan Hunt opens at Duck Creek, visitors come back to Pollock-Krasner, Rental Gallery's "Friend," and more
