‘Who Gets to Call It Art?” is a sprawling collage of a film. Made in 2006, it has a style not unlike the era it covers, jerky and jump-cut with a groovy garage band soundtrack.

John O’Malley’s “Urethane Revolution” is a surprisingly compelling and sometimes moving firsthand history of how the development of urethane wheels took skating to where it is today — a cultural phenomenon and, as of next summer, Olympic sport.

“Paradise,” Edsel Williams's latest exhibition at the Fireplace Project in Springs, features Andrew Brischler and Lee Relvas, who are getting notice for their individual showings in galleries and art fairs, but who also seem as if they are on the precipice of something bigger.