The Shipwreck Rose: Box Office Poison
Peak movie-going, for me, came in the late 1970s and early 1980s, when — a tangle-haired child of that unruly era — I was handed a 10-dollar bill and left to my own devices for entire weekends at a go.
Peak movie-going, for me, came in the late 1970s and early 1980s, when — a tangle-haired child of that unruly era — I was handed a 10-dollar bill and left to my own devices for entire weekends at a go.
Memories of “Go for 0, Tampa Bay!” and thoughts on the vagaries of N.F.L. fandom.
The other day, when Brett, one of the pros at East Hampton Indoor Tennis, noted that Jon Diat, The Star’s fishing writer, and I, its sportswriter, were among the few who wore masks when playing there, I said we did so because “we’re tyrannized by our wives.”
My introduction to the art of Prudence Punderson came in 1976 in Connecticut, when I took up embroidery and checked out a book on the subject that contained an example of her work. But an East Hampton connection? That came as a surprise.
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