Filmmakers participating in the Stony Brook Southampton’s summer shorts 20-day intensive production workshop were given a warm welcome on Monday with an opening discussion with Todd Haynes, the director of “Far from Heaven,” “Velvet Goldmine,” “I’m Not There,” “Mildred Pierce,” “Safe,” and many other original and provocative films.

Leading the discussion was the school’s graduate program director Christine Vachon, who directs the film program in partnership with Killer Films, her production company she co-founded with Pam Koffler. Ms. Vachon, who went to school with Mr.

There are only three more performances of Shakespeare’s “The Tempest” at Mulford Farm, presented by the Hamptons Independent Theater Festival, known more familiarly as HITFest. If you can, see all three.

The two-hour production is a delight from start to finish, harnessing a bit of Ariel’s magic to make the spare set and staging as engaging as the acting is polished and professional, rivaling Public Theater productions in Central Park I’ve seen over the years.

This is a production that could.

The Watermill Center held its benefit “One Thousand Nights and One Night/Sleepless Nights of Sheherazade” on Saturday night with Jim Jarmusch playing guitar in the Zen room and guests such as Philip Glass and Isabelle Huppert milling about the grounds. The party raised $2.2 million for the center’s International Summer Program and its year-round artists residencies and education programs.

This summer’s artists in residence once again did up the grounds with a series of live performance and video work. As per usual, clothing was optional.

Although Southampton Town police officers did their best to keep traffic moving on County Road 39, drivers heading to the fair mixing with the regular summer evening traffic made for a messy commute on Thursday night.

Those attending the very, very important person preview at 6 p.m. still had their choice of parking.