This mostly mild winter will heat up a little more on Saturday when Andy Aledort and the Groove Kings come to the Stephen Talkhouse in Amagansett for a 10 p.m. show.
This mostly mild winter will heat up a little more on Saturday when Andy Aledort and the Groove Kings come to the Stephen Talkhouse in Amagansett for a 10 p.m. show.
A new film by Yaron Zilberman, an Israeli-American, goes back to a time when peace between Palestinians and Israelis was not only conceivable but even imminent, and illustrates why efforts by both sides to achieve it have ultimately failed.
Love and Passion returns, Bird and Little fly solo at Halsey McKay, and more
A night of live music will happen at LTV Studios in Wainscott tomorrow at 7 with performances by two Long Island funk bands, the Kenny Harris Project and Funkin’ A.
Devon Leaver, who as a child sang in the aisles of local grocery stores, has both film and voice projects attracting attention and audiences this month in places such as the Sundance Film Festival.
Classes in playwriting and improv at Guild Hall, "Les Miserables" brings the French classic up to date via HamptonsFilm, and stand-up comedy returns to Bay Street
In the bleak and short days of winter, there can still be some color and interest in the garden to sustain us until spring. Holger Winenga, the horticulturalist at LongHouse Reserve, shared what he enjoys planting and seeing in the winter garden.
New shows at Drawing Room in East Hampton, White Room in Bridgehampton, an Artists Alliance show at Ashawagh Hall, and more
Certain figures in history are so avant-garde they often have to wait years and even decades for the world to catch up to them. The artist Louise Bourgeois is one of those visionaries. A film at the Parrish explores her legacy.
Joshua Harmon's “Admissions,” an examination of white privilege, white power, white anxiety, and white guilt, will begin a three-week run by the Hampton Theatre Company in Quogue Thursday. It is directed by Andrew Botsford.
Edward Albee's “A Delicate Balance” has neither the savage extravagance of “Who’s Afraid of Virginia Woolf?” nor the psychodramatic ingenuity of “Three Tall Women.” But the production at the Southampton Cultural Center is a commendable one.
Nishan Kazazian has been making art for more than 50 years and practicing architecture for almost as long. The two enterprises are distinct enough that he maintains websites devoted to each.
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