Arts

The Hamptons International Film Festival announced the winners of its jury and special prizes on Monday.

Sag Harbor’s Bay Street Theater will be busy this weekend. Tomorrow at 8 p.m., Judy Carmichael and her quartet will perform music from “I Love Being Here With You,” the first all-vocal CD by the virtuoso stride pianist. Ms. Carmichael will sing standards from the Great American Songbook. Tickets are $45 for side seating, $55 for center, while $75 includes admission to an after-party with the artist.

The Shelter Island Friends of Music will present Orion Weiss and Anna Polonsky in a free, four-hands piano concert on Sunday at 3 p.m. at the Shelter Island Presbyterian Church.

Mr. Weiss and Ms. Polonsky, who are married, perform separately and together. She is widely in demand as a soloist and chamber musician and has performed at venues such as the Amsterdam Concertgebouw, Vienna Kon­zerthaus, and Carnegie Hall.

The simple yet elegant presentation of works by Hiroshi Sugimoto at the Tripoli Gallery in Southampton begins at the entrance to the gallery. Like the restrained, masterly crafted boxes he makes for his glass sculptures, the gallery has been turned into discreet packaging for the jewels within its walls.

Like them or hate them, pop-ups have become commonplace on the South Fork. From Whole Foods to Shuko, from Dash to Joe Fresh, shops, restaurants, and even art galleries have been sprouting up every summer since Nobu opened at the Capri motel in Southampton in 2011.

“The App Store” in Sag Harbor will close at the end of business on Sunday after a two-month run at GeekHampton on Bay Street, but it can’t be accused of trying to make a quick buck.

Also on Shelter Island, bluegrass and traditional American music will be on offer as part of the Plant & Sing festival at Sylvester Manor Saturday from noon until 10 p.m.

The day will begin with the planting of garlic and the harvesting of fall crops, after which the music will get into full swing on the waterfront lawn. This year’s performers will include the Wainwright Sisters, the Deadly Gentlemen, Eastbound Freight, Edith & Bennett, the Ed Howe Bluegrass Band, and Jeff Davis & Friends.

“Gabriel” opens with a shot of a winter landscape just before dawn, its stillness suddenly shattered by the roar of a bus speeding across the screen. A young man in a woolen watch cap and winter coat gazes out the window. He tries harmlessly to engage a little girl who is grinning at him from several rows away. She finally joins him, and they are pretending to be smoking Twizzlers when the girl’s mother rushes up the aisle, snatches her daughter, and drags her back to her seat.

The Rising Stars piano series will return to the Southampton Cultural Center’s Levitas Center for the Arts on Saturday evening at 7 with a concert by Robin Giesbrecht.

A 2013 Pianofest artist, Mr. Giesbrecht will perform Ravel’s “Sonatine,” Scriabin’s rarely played Third Sonata, and Liszt’s 1848 transcription of the Overture from Wagner’s “Tannhauser.”

Landscapes at Ashawagh

Plein Air Peconic will return to Ashawagh Hall in Springs this weekend with “Land, Sea, Sky,” paintings by 11 East End artists whose work features the natural spaces of the region conserved by the Peconic Land Trust, which will receive a percentage of all sales.

The exhibition will be open on Saturday from 10 a.m. to 8 p.m., Sunday from 10 to 5, and Monday from 10 to 4. A reception will take place Saturday from 5 to 8.

Techspressionism Rising

While Human Rights Watch is one of the best-known and most effective organizations dedicated to investigating and defending human rights around the world, its emergencies team is less familiar to the general public. “E-Team,” a new documentary by Ross Kauffman and Katy Chevigny, sheds light on the work of four members of the division that, in the words of the organization’s website, “deploys as crises and conflicts are underway to impact the situation in real time.” 

It is difficult to believe that we observe the centennial of Saul Steinberg’s birth this year. Born at the very start of World War I, he is an artist who has transcended his era in quieter and yet more influential ways than many of his peers whose centenaries we have also recently marked.

To hear Anne Seelbach talk about the painting, stencils, and bas-relief collages she’s been doing recently — “to bring awareness of the effects of industrial and chemical pollution on the marine environment” — one might easily conclude that she has become political, but it is not the case. “I am first an artist, not an activist,” she said at her Sag Harbor studio, adding, however, that “it is also true that I hope to bring awareness to nature as I see it.”

The minimal world of Mary Ellen Bartley has been in evidence in group and solo shows around the country and closer to home at the Drawing Room in East Hampton and the Parrish Art Museum, but her first New York City solo exhibition featuring her “Paperbacks” series at Yancey Richardson Gallery is something of an event.

Bay Street Theater in Sag Harbor will kick off Columbus Day weekend on Friday, Oct. 10, at 8 p.m., when Judy Carmichael and her quartet will perform music from “I Love Being Here With You,” her first all-vocal CD. One of the world’s leading interpreters of stride piano, Ms. Carmichael will sing standards by Peggy Lee, Irving Berlin, George Gershwin, and others from the Great American Songbook. Tickets are $45 for side seating, $55 for center, while $75 includes admission to an after-party with the artist.

The Parrish Art Museum in Water Mill will open its Salon Series of classical piano concerts with the Lysander Piano Trio on Friday, Oct. 10, at 6 p.m. Due to the past popularity of the series, a second performance by the trio will take place on Oct. 11 at 2 p.m. Each concert will be followed by an opportunity to meet the artists.

Bay Street Theater in Sag Harbor will hold an audition for children 8 to 12 years old for its November production of “To Kill a Mockingbird” on Monday.

The audition for the Literature Live! production, directed by Joe Minutillo, will take place from 4:30 to 6 p.m. Performers of all ethnic and racial backgrounds living within 50 miles of Sag Harbor have been encouraged to attend. Performance dates are Nov. 5 through

The Museum of Modern Art will present a survey of Robert Gober’s career, spanning four decades, beginning on Saturday.

The artist, who has had a house in Peconic since 1990, is known for his enigmatic sculptures of everyday objects with a twist, large installations, and drawings and prints. The work is often minimal but charged with narrative and allusions to religion, politics, and sexuality.

Crazy Monkey in Transit

    The Crazy Monkey Gallery, located in Amagansett for 14 years, is in the process of relocating to a larger space on Main Street in Bridgehampton.

New at Halsey Mckay

The John Drew Theater Lab will present a free reading of “Eastern Standard,” a play by Richard Greenberg, on Tuesday at 7:30 p.m. Peter Connolly will direct the production, with a cast of Chloe Dirksen, Joanna Howard, Kate Mueth, Christian Scheider, Tristan Vaughan, and Mr. Connolly.

Christian McBride and Friends will headline the fourth annual Sag Harbor American Music Festival with a concert and fund-raiser at the Old Whalers Church Friday at 8 p.m.

The Southampton African American Museum will present Raise Your Voice, a four-day festival of films, jazz, and spoken word, beginning next Thursday at 6 p.m. with a screening of “Fruitvale Station” at the Southampton Arts Center.

A program of spoken word and jazz, including performances by Charles Certain and his Certain Moves Jazz Band and the Grammy Award-winning hip-hop artist J. Ivy, will take place Friday, Oct. 3, at 7 p.m. at the Southampton Cultural Center.

Listen, you can sit in your dull Long Island home afraid of the next terrorist strike, or you can get out and engage the world. How about Florence?

Stony Brook Southampton’s M.F.A. program in creative writing and literature is back at it with another writers workshop in Italy, this one from Jan. 13 to 24. The focus in Florence will be on fiction with Susan Scarf Merrell. The author of a new novel, “Shirley,” about that master of the macabre Shirley Jackson, Ms. Merrell is also the fiction editor of The Southampton Review.

The Bach & Forth Chamber Ensemble will launch its third season of performances on Saturday at 7 p.m. at the East Hampton Presbyterian Church. Members of the group are Thomas Bohlert (organ), Terry Keevil (oboe), Linda Di Martino Wetherill (flute), Rebecca Perea (cello), and Trudy Craney (soprano).

Every year there are at least one or two books that seek to capitalize on the “Hamptons style” whether it be food, art, architecture, environs, lifestyle, or decor. They can often be expensive and hollow affairs, produced chiefly for last-minute purchases at BookHampton for a host or hostess gift.

Kabakovs on Film

The Parrish Art Museum in Water Mill will present “Ilya and Emilia Kabakov: Enter Here,” Amei Wallach’s acclaimed documentary about the two celebrated Russian émigré artists who now live on the North Fork, tomorrow at 6 p.m. Ms. Wallach and Ms. Kabakov will answer questions after the screening.

Guild Hall will present “The Red Orchestra,” a 2003 documentary about the resistance group that fought against the Third Reich within Germany from 1933 to 1942, on Saturday at 8 p.m. Harris Yulin, an actor with an extensive stage and screen resumé and a home in Bridgehampton, will introduce the film. A discussion will follow with Stefan Roloff, the film’s director and son of one of the group’s survivors.

The Hamptons Take 2 Documentary Film Festival will present a screening of “Anita: Speaking Truth to Power” on Saturday at 4 p.m. at Bay Street Theater in Sag Harbor.

The subject of the 77-minute documentary, directed by Freida Lee Mock, is Anita Hill, an attorney and law professor who in 1991 was thrust onto the world stage when she testified before the Senate during its confirmation hearings for the Supreme Court nominee Clarence Thomas.

This past year, some of recent history’s more creative and flamboyant spirits have discovered and interacted with an eccentric and eclectic monument to the artistic pursuits of one of their own. That the artist was Barney Rosset, known primarily for his championing of literature and film, surprised most. But the artifact he created stunned all.

What they saw was a 12-by-22-foot wall-spanning mural, as ambitious as it is idiosyncratic, and a true emblem of the 20th century, even though it was conceived during the 21st.

It could not have been easy to be an American artist at the turn of the 20th century and the years to follow.

Playing catch-up with the revolutionary movements of European modern art must have been discouraging at the very least to the young artists who tried. Those who did may have been dismissed by unsympathetic audiences or shunned entirely by fellow artists for not pursuing a more nativist vision.

When Tracey Jackson and Paul Williams first met in the 1980s, the last thing either of them thought was that they might join up to address addictive behavior in a self-help recovery book.

For one thing, the popular musician and composer was high, very, very high. “I was at a party in Robert Mitchum’s house doing lines with Mr. Mitchum in his bedroom.” Ms. Jackson came in and complimented Mr. Williams on a recent film. His impaired retort was such that he said, “She went into the bedroom a fan of Paul Williams and came out a fan of Neil Diamond.”