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Point of View: It Works Every Time

Point of View: It Works Every Time

“Cheever said in another story that merely to touch one’s longtime lover is transformative”
By
Jack Graves

   By the time I’d finished reading John Cheever’s short story “Goodbye, My Brother,” to Mary, we were both in tears, and, for a time at least, thrown back upon ourselves as beautiful writing will do to you.

    We’d been thinking of the day — a day free of care, a day of no obligations, a day largely free of traffic, which every summer becomes worse — when, all of a sudden, we were impelled to reflect upon life, not just on its joys, which, of course, we try to do as often as we can, but also on its sorrows, not to mention its horrors.

    As is her fashion — she is a much more discerning reader than I — Mary laid it all out, everything Cheever, who has captured my interest lately, A.R. Gurney having led me to him, had been writing about. She knew the reasons why her tears had welled up. Why, she wondered, had mine.

    All I could say in reply was, “It was beautiful writing . . .  he really hit it.” He had hit the ball out of the park, and the ball — I’m quoting here from Dylan Thomas, thanks to Robert Lipsyte’s memoirs, which I reviewed last summer — had yet to touch the ground.

    “Cheever said in another story that merely to touch one’s longtime lover is transformative,” I said during our reverie. Mary liked that thought. Then, with a laugh, asked if I couldn’t trim my toenails.

    And in that way, through banter, we began to lighten our spirits, and soon — though I was to think throughout that day and night and the day following how exactly I would describe life — we were on our way. It works every time.

    If I didn’t have her to talk to, I don’t know what I would do. We’re joined, not so much at the hip — though that is true enough — but at our synapses. People in our family marvel at how much we have to talk about.

    Perhaps in doing so we’re fending off grief (which Cheever’s narrator in “Bullet Park” had once thought of as a foreign principality) for as long as we can.

    But you’re wondering, no doubt, what words I picked to best describe life. Well, at least in my case, there’s joy and sorrow . . . and possibility.

 

The Mast-Head: In a Dark Sky

The Mast-Head: In a Dark Sky

A heck of a show
By
David E. Rattray

   It was fortuitous that the sky cleared late Sunday just as the last of the Perseid meteor shower tickled the upper atmosphere. With a college friend who was in town while one of his daughters was an intern at The Star, I was pleased to have been invited to watch a movie on a deck overlooking the ocean, then to stay on to see what stars would fall.

    There seemed two sorts of meteors in the sky as Sunday turned into Monday. One was a fast, yellow zip though the darkness; the other left a trail that lingered for a moment in a shower of sparks. Some seemed to run right down the center of the Milky Way, as if on a celestial road. It was a heck of a show.

    My friend Lenny and his daughters left around midnight; Leah, who has been an intern for about three weeks, had to be at work at 9 a.m. I stayed on as long as I could, though I was not the last among the group to leave. Meteors continued to race across the star-lit dome every now and then, though as their frequency diminished I began to think of bed and what I had to do the next day.

    Walking up Marine Boulevard to where I had left my truck, I was disappointed to see a pale glow to the west. From what I could tell the dawn-like tinge was from the myriad residential house lights of Beach Hampton, each doing their own little part to illuminate the sky inappropriately.

    The fact is, though, most of the sky was dark that night. Only occasional passing aircraft marred the seemingly infinite view. Leah, a Chicago kid, said she thought she had never even seen the Milky Way before. As I thought about this, the few lights at doorways bothered me just a little less.

Relay: I’ll Have Lobster, Please

Relay: I’ll Have Lobster, Please

There’s not a chance in hell that I would ever measure up to brides of today
By
Janis Hewitt

   Reading The New York Times on Sundays is one of the best parts of the day that my family calls Sacred Sunday. We try not to work or socialize on Sacred Sunday and devote our time to each other when we can. But lately, reading The Times has made me feel wholly inadequate, especially the wedding announcements in the Styles section. There’s not a chance in hell that I would ever measure up to brides of today.

    The brides I read about are so accomplished at such young ages that it puts me to shame. I often wonder how my announcement would read. Would it contain all the jobs I tried to do? Would I have to announce my time as a nursing student, chambermaid, cabbage-picker, hair-shampooer, lobster-picker, wannabe veterinarian’s  assistant? I don’t think so.

    But I will tell you, my dear readers, because if nothing else it makes for a good laugh. I imagine my announcement would read like this: The bride and groom met in Montauk, where she visited for a summer and fell in love with the Montauk native and never left.

    Before moving to the hamlet full time, the bride studied to be a veterinarian’s assistant, a job she found too stressful. During her internship, the animal doctors frowned upon her teary antics when dog owners were told their dog was very sick and had to be put down. At one point, the future bride had to run from the examination room and the good doctor told her he thought she might be a bit too emotional to handle the position. She agreed.

    In Montauk, her first job was cleaning up after strangers in local motels, a job, she said, she found disgusting and quit. After several weeks of unemployment, during which she spent most of her time lazing on the beach, the bride found work picking lobster meat from the crustacean’s claws and knuckles. It was a job she enjoyed but, alas, she ate too much of the product and was soon terminated. It turned out the boss ­didn’t appreciate the jar of cocktail sauce and tiny fork sticking out from her sweatshirt pocket.

    In autumn of her first year in the hamlet, she picked cabbages from a field in Bridgehampton. Each day the future bride and her friends were given hatchets to slice the cabbage heads from their bases. One day on a leisurely car ride to work the bride learned that the male workers were getting paid twice as much as the women, so she had no choice but to take a stand for women’s liberation and quit.

    The bride attended Wilfred Beauty Academy in Riverhead and completed her thousand hours to be certified as a cosmetologist (hairstylist). She knew the job wasn’t for her when several customers returned to the salon and asked for a do-over.

    The bride and groom were married on Oct. 27, 1973, and will celebrate 39 years of wedded bliss this year, with their three children. When she turned 40, the bride began taking writing courses at local colleges, and received a job offer from The East Hampton Star. She has never lost her taste for lobster, but no longer eats cabbage.

   Janis Hewitt is a senior writer at The Star.

 

Point of View: A Happy Life

Point of View: A Happy Life

“The power and glory of sportswriting.”
By
Jack Graves

   Irene Silverman, knowing of the quietly desperate lives columnists live — even weekly ones, whom Jimmy Breslin once referred to as “retired” — gave me as she was walking up the back stairs the Wednesday before last a long essay from The New York Times on the “the power and glory of sportswriting.”

    Having thanked her, and having ventured hopefully that “it might be good for a column,” I began to read. And, lo, the writer, Nicholas Dawidoff, began with a rather depressing quote from Richard Ford, who he said had likened a sportswriter to “an old-fashioned traveling salesman with a line of novelty household items . . . there is very little that is ever genuinely creative to it [sportswriting] at all.”

    I presume Dawidoff went on to refute all that, but I remembered it differently: I had a quote of my own, I said, by the same writer, oddly enough, which I’d taken as a hearty endorsement of what I did. “I think I have the quote up on my wall. . . .”

    Moments later, I called out to her, having peered myopically at a number of curled, underlined, thumbtacked vade mecums, “I’ve found it! It’s yellow, shrunken, and wrinkled, but here it is. . . . ‘And I thought, What would a man do if he were living a happy life? What job would he have? Hell, he’d be a sportswriter! What else?’ — Richard Ford [!]”

    Back to Dawidoff. . . . “What Mr. Ford . . . overlooked is that for really good writers, sports offers an opportunity to express all the pleasure and passion of life.”

    Stop, read no further: That is why I call it the joy department.

    And that is why last night after having damned selfish and purblind capitalists in the voice of Cheever’s Mrs. Oxencroft, and having been warned by Mary, who sensed a columnar rant coming, that it was far easier to tear down than to build up, I, feigning hurt, said, “Well, as a sportswriter, I’m always building things up, I write about the spirit.”

    She knew damn well I wrote about the spirit, she said spiritedly. Who knew better than she, who contributed in such great measure to my happy state as muse, lover, helpmate, drudge.

    If “the essence of good sportswriting [is] empathy,” as Dawidoff concludes, then to do it locally, among one’s fellows, counts, I think, for far more than paying court to empyrean pros.

    Toss in a column that can be about any old thing, a woman who outstrips all praise and makes it halt behind her, and what could be better?

Point of View: Shallow to Callow

Point of View: Shallow to Callow

I fancied I cut quite a figure in the Halls of Ivy
By
Jack Graves

   Mary’s favorite show at the moment is “Newsroom,” but they speak so fast it takes me about half the hour to find out what it’s about.

    Don’t get me wrong, it is very good, but I think they’re all on speed. Either that, or I’m as dumb as I’ve always thought.

    “It reminds me why I didn’t stay in New York,” I told her the other night. “I would have been ground up and spit out long before now and sleeping under my Saks Fifth Avenue flannel-lined overcoat on the benches of Penn Station.”

    I had a thing for Saks Fifth Avenue once, and gin and tonics with twists of lime, and, above all, a white linen suit with a vest and buttoned fly that I think was a hand-me-down from my Uncle Jack.

    I fancied I cut quite a figure in the Halls of Ivy — I would have met myself under the clock at the Biltmore had I known who I was. The girls whom I fancied all had sonorous names. . . . “Wild nights — Wild Nights! . . . Might I but moor — Tonight — In Thee!”

    At least that was my wish.

    “I was very shallow, very callow then,” I said to Mary. “I’ve evolved over the years. From shallow to sallow. From a tweedy twit to a weedy wit.”

    The disaffection from the one I was persuaded me not to attend my 50th reunion recently. I didn’t want to be reminded of my blighted college years, when, knowing less than nothing, I thought I was the cleverest of them all.

    Now that I know I know nothing, and am moored in Bonac, things are going much better. I’m much more at home with uncertainty than I ever was, rowing in Eden, done with the compass, done with the chart.

 

The Mast-Head: Unwanted Visitors

The Mast-Head: Unwanted Visitors

At this time last year, Hurricane Irene had Long Island in its gun sights
By
David E. Rattray

   By one measure, 2012 has already been a notable year for tropical storms, though the Northeast wouldn’t know it. The ninth “named” storm of the season has developed and may grow into a hurricane as it passes just south of Puerto Rico.

    At this time last year, Hurricane Irene, which, like the Caribbean’s present visitor, Isaac, was also the ninth of the season, had Long Island in its gun sights. Its path varied from the forecasts, but it made an initial landfall in North Carolina as a category one, or lowest-level hurricane, causing widespread damage. Its center passed over Coney Island at mid-day on Aug. 28, though by then the winds had diminished to about 63 miles per hour.

    Eastern Long Island saw downed trees, some inundation by high tides, although that was limited, and prolonged power outages. The worst flooding took place far inland, and it was catastrophic in New Jersey, Massachusetts, Vermont, and parts of upstate New York. According to the official report from the National Hurricane Center, there were 41 deaths attributed to this storm in the United States. The total U.S. damage was estimated at $15.8 billion.

    The far eastern points of Long Island were spared by most measures. Montauk saw a storm surge of less than three feet. The 1938 Hurricane, the standard by which our storms are judged, brought with it a storm surge estimated at 14 to 25 feet as it roared ashore on an otherwise ordinary Sept. 21. Photographs of some of the hell it wrought here are on view through Oct. 8 at Clinton Academy.

    Irene, which had become a tropical storm when its outer winds and rain struck East Hampton, is all but forgotten now. The 2011 Atlantic season spawned another 11 systems, six of them hurricanes, though none threatened here. Tropical Storm Sean touched Bermuda in November, and for another year, Long Island had dodged the inevitable.

    Do take a look at the East Hampton Historical Society’s exhibit at Clinton Academy if you are in the area on Saturday or Sunday. It is an important reminder.

 

Connections: Summer’s End

Connections: Summer’s End

Suppose, I say to myself, you were on vacation here for only the last two weeks of August: What would you make sure to do?
By
Helen S. Rattray

   Transitions are difficult. It is still summer, but the Canada geese are back in the fields. I already find myself concerned that it will soon be too late to make the most of the season. Suppose, I say to myself, you were on vacation here for only the last two weeks of August: What would you make sure to do?

    It’s hard for those of us who live here year round to break the rhythm we keep the rest of the year. But it’s a shame not to find time for the beach, to get on as well as in the water, to eat outdoors, to sit down with the people you enjoy who are rarely here during the rest of the year, to attend at least a few of the talks, shows, concerts, fairs — the myriad things that seem to have grown exponentially this year (not to mention the expensive restaurants and costly benefits).

    If you were here for the rest of August, you would be able to take advantage of everything going on around you, as well as of the farm stands at their best. They, too, seem to have multiplied this year. Depending on how serious you are about what you eat, you might even vacation here just for the corn and tomatoes, the squashes and berries.

    I was delighted recently to find blueberries marked “local” at one of the farm stands. I supposed they were grown on the North Fork, although I didn’t ask. They seemed to taste as good as those I remember from my childhood, which we picked ourselves on my grandparents’ farm. We had one cow for a while, but blueberry bushes had taken over the hilly pastures. My grandmother used to make a fine upside-down blueberry cake, which she insisted on calling a pie, but my grandfather’s blueberry activities were more unusual.

    Several times in season, he would pick enough berries to fill a big pail and then walk the three or four miles to the nearest hotels to sell them. When I was a kid, I thought he did it for the few cents they brought, but now I think he did it to relive his childhood in rural Mol­dova. (My grandmother once told me that she fell in love with him when he jumped from the ground to the top of a wagon filled with hay.)

    Summers are always too short, even if you are grown up and don’t have to go back to school. But I have to remind myself that the off-season is plentiful, and the weather is often exceedingly beautiful. I have relived my own childhood by picking beach plums and cranberries, and, yes, they are the fruits of fall.

Connections: Old Bag

Connections: Old Bag

Waste not, want not
By
Helen S. Rattray

   You’ve probably heard this complaint before; I’ve been irked by tote bags accumulating around the house for a long time. Now, I know I’m looking the gift horse in the mouth, and as problems go this doesn’t even rate — and I apologize, because I’m about to mix metaphors in a most egregious manner — but the straws that broke the camel’s back were two of my most recent unsolicited acquisitions: One, in cheery brown and orange, came from a home-furnishings business; the other, a gift from the Hampton Classic Horse Show, is super-sized and plastic-lined, with two inside mesh pockets.

    The issue seems to be that neither my husband nor I have learned to say no thank you. Waste not, want not, we think . . . and merrily shove these freebies into cabinets, drawers, and closets from which they are never again to emerge.

    This week, with no one else at home, I headed to the biggest trove, in a bin in the music-room coat closet. Alone in the dark they had multiplied to epic numbers. Among the rather handsome canvas ones were several more from the Hampton Classic. A few large numbers had unattractive corporate names or logos on them (including one that felt like rubber and would have been good in the rain, although no one had ever used it).

    The two that I’ve actually made good use of came from The New York Times; because they have zippered tops, I carry them a lot on Jitney trips, and even had one dry-cleaned once. A smaller version from The Wall Street Journal looked chintzy by comparison.

    Then there was the heavy red one from Cole Haan, which had a shop here for a while and donated a pile to the East Hampton Library. The company’s name is discreetly printed inside, but I had found it too big to drag around. A bright fuchsia bag in a waterproof fabric also had a discreet designer label. The color had been fashionable about the turn of the millennium, if I recall correctly.

    A few small ones, in cloth other than canvas, came from museum gift shops, among them one that was a memento of my trip to China with the New York Choral Society. Yet another, that I had wanted to keep as a reminder of our visit to Salt Spring Island, off the coast of Vancouver, was nowhere to be seen. More recent paper-thin totes, like a few from the Wainscott Seafood Shop, for example, had also disappeared. But I found several that I swear I had never seen before, including one that was mammoth and alarmingly chartreuse.

    Having scattered them all over the floor for inspection, I proceeded to my husband’s bedroom closet to unearth yet another lode. My husband had left one batch on the floor, stuffed another batch into the biggest bag, and slammed shut the closet door. I hauled them all out. (He also had an honest-to-goodness, undecorated, vintage “boat bag” there, dating to the days when no one used the word “tote.” It was filled with Chris’s swimming gear: fins, snorkels, masks. I left that one alone.)

    I was about to walk away from the whole mess, having counted 37 tote bags in total, when other members of the household began arriving. What in the world was I doing, they wanted to know. I told them I was thinking of giving the totes in good condition away to people who were tote-bagless, if I could identify any. Maybe, I said, I could casually take a few to the dry cleaner’s and secretly forget to pick them up.

    My husband meandered in and scooped up a few, including the huge chartreuse one, saying we should keep them in the car to use for groceries. That gave me another idea: I would go to town and stand in front of the supermarket and give them away.

    By then, however, it was getting to be supper time. And it could be embarrassing to try to fob off tote bags on strangers, couldn’t it?

    Wondering if perhaps the Ladies Village Improvement Society Bargain Box might want them, for use at checkout, I folded up those still lying on the floor, arranged them in neater stacks, and squashed them back into the darkness from whence they came.

 

Relay: Close Your Eyes

Relay: Close Your Eyes

I’m a Belieber
By
Janis Hewitt

   As summer comes to an end (yeah!) a lot of people will look back with a fond memory of the summer concerts they saw. I saw the Beatles at Shea Stadium in 1965 and still smile at the thought.

    It was especially cool for two reasons, the first being that George Harrison and I made eye contact and the second that our seats were so good that several members of the Lovin’ Spoonful sat in the same aisle as me and my fellow 12-year-old gal pals, one of whose father worked for The New York Times and got us the tickets at the last minute.

    And that’s also why I’m a Belieber. Yes, I, who am old enough to be his mother, am a fan of Justin Bieber. I like the way he treats his fans. For lack of anything else to watch one night this summer, I watched a documentary that featured his recent concert tour. The kid’s a sweetheart and gives his fans what they want: an intimate contact through hand touching and picture posing. In the film, he went out on the balconies of his hotels and waved to the crowds of teenage girls who had staked out the place and sang to them, sometimes in their own languages.

    It seems most of the concerts I attended were held in summer. I saw Joni Mitchell (nosebleed section), Laura Nyro (a quiet venue), Chicago (general admission), and Neil Young at Nassau Coliseum, where I’m pretty sure I got a contact high from the pot fumes in the air.

    I always wanted to see Carole King, but knew it best that I didn’t. I’m sure I’d be thrown out for my attempt to out-sing her on her own songs. My voice would make my fellow concertgoers think there was a cat in heat ripe for romance under one of the stadium’s seats and call security.

    When George and I had our eye-contact dalliance it might have been that I was one of the girls screaming the loudest, even though I wasn’t a screamer and peer pressure provoked it. It may have also been the big-busted chick behind me that he looked at, but for one very hot and steamy moment he made eye contact with a little frizzy-haired girl and gave her a memory to last a lifetime.

    I thought his gaze meant something, like he was interested in me, which, since I was only 12, actually would have made him a pedophile, and he wasn’t because he never called me or sent a roadie to get me from the crowd to meet him for drinks after the concert.

    When the four mop-haired blokes sang “All My Loving,” which begins with the line “Close your eyes and I’ll kiss you,” I puffed up my nonexistent cleavage just like the girl with real cleavage behind me and thought George would jump off the stage and make his way through the crowd to find me. I waited, lips pursed, for my first kiss that never came.

    When they played “I Want to Hold Your Hand,” my hands tingled in anticipation, but that could have been from the fiberglass that I had worked with earlier that day on my little boat in City Island. Whatever, George Harrison looked at me on a hot summer night and I’ll never forget it.

    The end of summer is always bittersweet, just like the appropriately named bittersweet vines that will soon sprout orange and red berries signifying that autumn has arrived. They will be wrapped on our mantles, doorways, and in vases to cheer us and welcome the new season and an opportunity to make new memories.

    Janis Hewitt is a senior writer for The Star.

 

The Mast-Head: On ‘Kook Paradise’

The Mast-Head: On ‘Kook Paradise’

The Emperor’s New Clothes
By
David E. Rattray

   If you happen to have been on The Star’s Web site during the past few days, you might have noticed that an Aug. 16 story about a satirical film about the Ditch Plain surf scene circa 2012 was lingering at the top of the most-commented list.

    “Kook Paradise,” the firmly tongue-in-cheek documentary, was made by two Ditch regulars, Tin Ojeda and Danny DiMauro, and was premised on the idea that for all the Montauk surf hype, the waves are not really all that good. It’s a bit of a “The Emperor’s New Clothes” message.

    Well, that’s not quite how the film is being received. Commenters on the online version of the story have spared little invective in assailing Danny, whom I know, and Mr. Ojeda, whom I do not. Others have been drawn into the digital scrum, and apparently an actual, in-the-flesh confrontation is to take place on Saturday at Montauk’s Lions Field between two aggrieved parties.

    Others have beefed that the filmmakers are themselves relatively new to Montauk and, they figure, not qualified to say anything about anything.

    Having seen “Kook Paradise,” I feel confident in generalizing that the online protest is more about some bad blood from years past than about the film itself. Though its deliberately shaky and gritty footage does show beginning surfers in embarrassing situations, the accompanying narration extolling “perfect” waves makes clear the joke is on those who would consider Ditch Plain the equal of the world’s top breaks.

    Scores of vehicles storm east on the Napeague stretch of Montauk Highway even when the surf is flat, their fedora or trucker-hatted owners planning to make the scene. A friend of mine (who surfs even in summer, proudly wearing kook-like wetsuit booties) calls them “evident life-stylers,” which pretty much sums them up. Ditch, their destination, will likely be gutless slop, but it hardly matters.

    Worthy of a short, amusing film? You bet. Something to fight over? Not really. But if you have a problem with it, you can meet me at Lions Field.

_

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