Arts

There is little if any dispute that the 1960s were a high-water mark for popular music. With the arrival of Bob Dylan and, in quick succession, the Beatles and the Rolling Stones to American ears, creativity exploded within the genre. No longer a collection of singles, the LP format became a sprawling canvas on which musical ideas within a song expanded dramatically, and individual songs could collectively form a larger theme.

PechaKucha Night

    Tomorrow at 6 p.m., the Parrish Art Museum will hold its first PechaKucha Hamptons event at the new location in Water Mill. The evening consists of presentations by 10 members of the East End creative community. They may be artists, musicians, writers, designers, architects, vintners, or other professionals.

    This year’s Black Film Festival, from the African American Museum of the East End, will take place on Saturday at the Parrish Art Museum in Water Mill from 12:30 p.m. until the evening.

    Five films will be screened. “Raising Izzie” is about two young girls who struggle to stay together on their own without their parents, and a couple who long for children. Directed by Roger M. Bobb, it will be shown at 12:30 p.m.

   Many people have been wondering what is going to happen to the space vacated by the Parrish Art Museum. A better question may be, what isn’t?

To the split mimosa, still standing, pink-tan bark fleshy in the odd after-shine.

To the man who answered the storm info number at 4 a.m.: Miss, you can sleep now.

To the women and men who lift branches from the roadside in dark, wave cars to detour

in fluorescent jackets, and those who leaning out of cranes — tap, pull, bend — work wires.

To the people who can’t get to jobs and to the King Kullen cashier who stowed a towel

in the car to shower at her friend’s. To postal workers sorting mail by kerosene lamp

Absence of the Body

    The Halsey Mckay Gallery in East Hampton will present “Habeas Corpus” beginning Saturday with a reception from 6 to 8 p.m. The exhibition will take the legal writ, which prevents unlawful detention, in its most literal sense — to produce the body. For the purposes of this show, however, it will subvert this right by removing the figure from these works.

Shevchenko to Perform

    The Southampton Cultural Center will present Margarita Shevchenko on Saturday at 7 p.m.

    Ms. Shevchenko, a Russian who lives in this country and a performer and coach at Pianofest, will be performing for a second time at the cultural center. The program will include works by Handel, Tchaikovsky, Scriabin, and Chopin. Ms. Shevchenko has won a number of international Chopin competitions.

Birds and Other Creatures

    Glenn Horowitz Bookseller will present “Billy Sullivan: Bird Drawings” and “Lucy Winton: Creatures,” beginning on Saturday with a reception from 6 to 8 p.m.

    At the same time, the rare-book dealer will showcase its publication of “BIRDS,” a limited-edition book with Mr. Sullivan’s drawings and an essay by the author Margaret Atwood, a highly regarded birder and conservationist.

   Overcoming years of planning and fund-raising hurdles, and despite recent storm-related issues, including a loss of power, that forced cancellation of its preview events, the new Parrish Art Museum in Water Mill will open its doors to the public on Saturday.

   The opening of the Parrish Art Museum’s new building in Water Mill on Saturday will include a multimedia concert of compositions by a young composer with local roots.

   Previews of “Murder Ballad,” a new rock musical about a love triangle gone horribly wrong, commenced on Tuesday at the newly re-launched Studio at Stage II at the Manhattan Theatre Club. Set in New York City, the show opens Nov. 15 and is scheduled to run through Dec. 2, and features a combination of traditional and cabaret-style seating, with the actors moving throughout the entire 150-seat space during the performance.

The Crucible’

    Beginning on Tuesday, the Bay Street Theatre in Sag Harbor will present “The Crucible” as part of its Literature Live! series of plays taken from the core curriculum of American schools. The play, by Arthur Miller, will be staged for school groups on weekdays and for the public on weekends. A special matinee at 2 p.m. will be performed on Nov. 24 in addition to that evening’s closing performance.

    The 1952 play is about the Salem witch trials between 1692 and 1693 and is an allegory of the Communist “witch hunts” of Joseph McCarthy.

   Inda Eaton celebrated her newest CD, “Go West,” by doing just that on a road trip from New York City to Los Angeles with stops including Philadelphia, Phoenix, Boulder, Colo., and Casper, Wyo. After an “epic drive from Milwaukee in full trucker mode,” she arrived home in Amagansett last weekend in time to perform on Friday night at Guild Hall at the “Way Out East” show with Caroline Doctorow and Nancy Atlas.

“Trucker mode gets the job done at the expense of all rational thought and life training,” she said on her blog.

Facing the Portrait at Ross

    The Ross School gallery in East Hampton will exhibit contemporary portrait paintings in a show opening tomorrow with a reception from 4 to 6 p.m.

    “Face Off” will feature the work of Sydney Albertini, Jack Ceglic, John Hardy, Christa Maiwald, and Christina Schlesinger. The show was organized by students in Jennifer Cross’s museum studies class — Julian Fava, Rebecca Hamilton, Jeheli Odidi, Hongjie Zhu, and Sun Zhehai.

Guild Hall will revisit the much praised and beloved photography of Fritz Leddy on Saturday with the opening of “Fritz Leddy, Part 2,” a new selection from the more than 2,000 negatives the former East Hampton Village police chief left behind

Journey in Song

    A unique and powerful night out has been promised for tomorrow’s event subtitled “Journey in Song,” with Inda Eaton, Nancy Atlas, and Caroline Doctorow. The three local powerhouse female musicians will join together onstage at the John Drew Theater at Guild Hall. The ticket price is $20 for an evening of Americana, folk, country, and rock. All three are popular performers, “great songwriters, and fun people,” according to Ms. Eaton.

   The museum at Guild Hall is offering a bit of something for everyone this season with the opening of four shows in its various galleries.

    Those familiar with Linda Stein’s artwork might be surprised to find needles, thread, and fabrics lying around her TriBeCa and Northwest Woods studios. Ms. Stein, whose earlier works were often composed of such materials as driftwood, drawer knobs, and engraving plates, is now making what she calls “bullyproof” vests.

    On the one hand, the predominantly cotton vests stand in contrast to her earlier works; on the other, the transition is all too natural.

   “Inherit the Wind,” a play based on the 1925 Scopes Monkey Trial and written in the 1950s in reaction to McCarthyism, has vital resonance for our own era, particularly on the eve of a national election. The tight and well-acted production by Michael Disher for Center Stage at the Southampton Cultural Center is well worth seeing, not only as a diversion but for its underlying message.

   To look behind the scenes of an event that you’ve come to look forward to, large or small, and find the efforts of one person holding it all together can be surprising. If, that is, it isn’t the new normal in this constrained age. Poetry Pairs at Guild Hall regularly brings top-flight readers here while adding a touch of the literary to that institution’s otherwise varied lineup. Thanks to Fran Castan.

    The series has essentially been her baby since 2007 — “to the point of exhaustion and no money,” she said, only half-kidding, over the weekend from her house in Springs.

Retreat Art Benefit

    A juried art exhibition benefiting the Retreat will open at the Richard Demato Fine Arts gallery in Sag Harbor on Saturday with a reception from 6 to 8 p.m. On view will be the work of 25 finalists chosen by Christina Strassfield and Kathryn Markel from more than 300 entries.

Watermill Center Events

    The seventh annual Artist Residency Program at the Watermill Center will begin with residency events tomorrow at 6:30 p.m. and Saturday at 5:30 p.m.

His Gramercy Park apartment comes complete with a northern exposure to the Empire State Building, but it’s not a view Richard Rutkowski enjoys often.

    Whether in Los Angeles, Chicago, New Orleans, Paris, Scotland, Japan, or even the house he inherited from his father in Water Mill, he has racked up a lion’s share of frequent-flier miles. As a director and cinematographer, husband, and father, the East Hampton native has had a vagabond existence for the past several years.

I suppose all of its legions of fans have their own favorites at Breadzilla in Wainscott. For me it’s the oatmeal sunflower-seed bread, just about the best loaf I’ve ever had. Whether it is lunch, dessert, or a loaf of bread, the high quality shines through.

    The same can be said for the garden, narrow strips alongside two of its walls and other beds in the front enclosing a circular lawn where customers relax and enjoy their treats. It may be small, but the garden packs a big punch, with wave following wave of gorgeous, saturated color all season long.

Living the Abstract Life

    “Life in the Abstract,” a group show featuring work by Bob Bachler, Dru Frederick, Barbara Groot, John Haubrich, and Fulvio Massi, will open on Saturday afternoon at Ashawagh Hall in Springs. A reception will be held from 5 to 8 p.m. 

    Mr. Bachler is a ceramist inspired by Asia. Ms. Frederick is a painter of landscapes in an abstracted impressionist style, Ms. Groot’s abstraction is inspired by nature. Mr. Haubrich’s abstraction comes from his inner life. Mr. Massi’s focus is on line.

   It was a short red carpet that led into Guild Hall on Saturday night in East Hampton. Our Home, Sweet Home squatted next door to the 300-year-old buildings of the Mulford Farm just down the street in the gloaming. This was not Hollywood, not the “fishbowl” Richard Gere would tell the audience he disliked about the left coast.

    In his opening remarks as master of ceremonies for the Hamptons International Film Festival’s Golden Starfish Awards ceremony, Alan Cumming quipped that “Golden Starfish sounded like an S.T.D. It seems a little dirty.” Yet the ceremony was an overall sober affair that recognized and expressed gratitude for the festival’s 20th year while bestowing the traditional honors and several new awards for this year.

‘Kook’ Surf Film Wins

    Danny DiMauro and Tin Ojeda have won best short film and viewers choice for short film for their movie “Kook Paradise,” about the insane popularity of Montauk’s Ditch Plain as a surfing destination despite its inconsistent surf conditions.

    The film and its makers were featured in The Star in August.

Return of the Met

    Guild Hall will begin its fall program of simulcasts of the Metropolitan Opera on Saturday at 1 p.m. with a screening of a new production of Donizetti’s “L’Elisir d’Amore.”

   The Round Table Theatre Company and Academy, a new classical theater ensemble, will hold its first staged reading on Saturday at 7:30 p.m. at LTV Studios in Wainscott. A full production of “Macbeth” is planned for January.

    With outdoor summer productions of “A Midsummer Night’s Dream” by the Hamptons Independent Theater Festival and Naked Stage, and the Green Theater Collective doing its own pared down Shakespeare performances, there is an embarrassment of riches after a very dry period for the Bard on the East End.