Arts

This year’s Grammy Awards include four nods for Randy Brecker, an East Hampton resident, veteran jazz, rock, and R&B trumpeter, flugelhorn player, and composer.

    Mr. Brecker’s “The Jazz Ballad Song Book,” with the Danish Radio Big Band, was recently nominated for best large jazz ensemble album. The album also received a nomination for best instrumental arrangement, with credit to Peter Jensen. One of its tracks, “All or Nothing at All,” was nominated for best improvised jazz solo.

New Shows at Vered

    Vered Gallery in East Hampton has two shows on view in January. The gallery will continue the “Landscape/ Seascape” theme with works by Robert Dash, Wolf Kahn, Thomas Hart Benton, Balcomb Greene, Thomas Moran, and Milton Avery, among others. Mr. Kahn’s “Mammoth Vista,” a massive autumnal water view from 1992, is the centerpiece of that exhibit.

Those who like their Shakespeare productions out in the cool summer night air will be heartened to hear that a new festival is taking root through the Hamptons Independent Theatre Festival, more familiarly known as HITFest.

Ashawagh’s Illuminators

    “East End Illuminations,” a group show at Ashawagh Hall in Springs, curated by Cynthia Sobel, will feature landscapes, abstract watercolors, prints, mixed-media works, and photographs.

    Ms. Sobel has brought members of the Wednesday Group of plein-air artists and the Crazy Monkey Gallery artists cooperative together for the exhibit. They include Ms. Sobel, Frank Sofo, Daniel Schoenheimer, Andrea McCafferty, Alyce Peifer, Anna Frank­lin, Deborah Palmer, Gene Samuelson, Lynn Martell, Jim Hayden, and Jana Hayden.

We’re all different people every day, as is said. You might be a Broadway singer and actress reprising “Camelot” with Jeremy Irons one day, playing opposite Matthew Modine’s Thomas Jefferson the next, and going on to headline the Noel Coward Awards, maybe squeezing in a dinner with Alec Baldwin.

    Elizabeth Taylor’s diamonds weren’t the only items attracting interest at New York City auction houses last week. On Dec. 13, many well-heeled city and East End art aficionados gathered on the top floor of Sotheby’s Upper East Side auction house to view a small but strong collection of Jackson Pollock works rarely seen outside of the houses of the private collectors who own them.

     It was November in Northwest Woods and Walter Weissman’s front lawn was blanketed in crunchy tobacco-colored leaves. The cottage on Atlantic Street, which he shares with Eunice Golden, a painter, gives her the bright and airy studio space she needs and him his own space to work on his photography as well as a basement to work on his sculpture of constructed and deconstructed objects.

    Dennis Leri has been showing his work — mixed-media wall pieces blending metal and canvas and paint, and large works of abstract sculpture — for more than 20 years on the East End.

    He started by studying figurative sculpture at the Art Students League and the Sculpture Center, but his love of art began before that — at home.

    “I lived in a house full of art,” Mr. Leri said of his upbringing in Brooklyn. “It was a typical Italian-American family with several generations living together. My uncle John Nappi was an artist and had his studio in the house.”

Frank Wimberley And East End Artists

    Beginning today, Spanierman Modern is showing both new work by Frank Wimberley and “Artists of the East End II,” which highlights works created from the mid-20th century to the present.

    Mr. Wimberley’s paintings are thick impastos of palette-applied, high-keyed colorful acrylic paint. Sometimes monochromatic and sometimes with sections or stripes, they all have a dynamic feel and a rich depth to them.

    It’s the fourth year that the East Hampton Historical Society has mounted a family-oriented exhibit, “A Children’s World,” which features antique toys from the 1790s to the 1960s, but Richard Barons, the executive director of the society, seems as excited about the items on display as if it were the first time.

    The exhibit, which runs through the end of the year, “seemed logical when we started out — to do something for the whole family that’s free at this time of year,” Mr. Barons said.

New Show at Firestone

    Beginning Saturday, the Eric Firestone Gallery in East Hampton will present “Vincent Longo: Selected Works, 1960s and 1970.” Mr. Longo is a painter and printmaker who has been making art for almost six decades.

    The exhibit will include early paintings and works on paper influenced by Wassily Kandinsky and Abstract Expressionism and grid works inspired by Piet Mondrian.

Its glossy, heavy stock and appealing, even sexy, Hollywood set-worthy pictures may have some mistaking the Main Street Historic District Guide for a more commercial endeavor.

    Some community choruses would appear to perform “The Messiah” practically every Christmas. It is a linchpin of the choral repertoire, it’s in English, and it tells the story of Christmas in a compelling way. Yet performing it so frequently turns the piece into something of a ritual for singers and audiences alike, and we should be grateful that our local Choral Society of the Hamptons sponsors more diverse programming. How much better to pull “The Messiah” out only occasionally, so that in hearing it again we are actually surprised by its greatness.

    “Beautiful Tree, Severed Roots,” the cinematic journey Kenny Mann will offer viewers on Sunday at the Bay Street Theatre, is not strictly a memoir, although it is about her past. “It’s a story of identity,” she said, adding that others will be able to relate to the documentary. “So many people today are misplaced, it’s very relevant in today’s political climate.”

    Cynthia Daniels has a voice meant for radio. Low in timbre, rich and melodic, it soothes the ears like warm buttered rum. Her radio shows, “MonkMusic Radio” and “On the Air at Crossroads,” showcase East End musicians playing and talking about their music.

    Tomorrow, those musicians will join her and her co-host Bonnie Grice at Guild Hall at a fund-raising event for it and WPPB 88.3FM, the Southampton public radio station that broadcasts her shows.

    The photographs in the Spanierman catalogue say it all. There she is with Hans Hofmann in his Provincetown, Mass., studio, then with Willem de Kooning in Springs, in a photo shoot with Ad Reinhardt, arm in arm with Lee Krasner, or standing confidently with her hand on her hip on an East Hampton beach with some of the greatest artists of the period in a 1962 Hans Namuth photograph.

Holiday Show

    The Romany Kramoris Gallery has a holiday exhibit on view that includes the work of Shey Wolvek, Isabel Pavao, Jude Amsel, Christopher Engel, George Wazenegger, Laura Rozenberg, and Maria Orlova. It focuses on small works of art, and there will be special pricing on artists of the week. The show is up through Jan. 8 at the Sag Harbor gallery.

“Painter of Long Island”

    Beginning tomorrow at 4 p.m., East Enders will have an opportunity to experience a classic story in a bygone way when Peconic Public Broadcasting at 88.3 FM presents a radio play of “A Christmas Carol,” produced and performed by members of the community.

    The hourlong piece, with British accents and sound effects, is the brainchild of Bonnie Grice, a host and producer at the radio station of shows such as “The Song Is You” and “Eclectic Cafe.” Michael Disher, a theater director for the Southampton Cultural Center and a drama teacher on the South Fork, is directing.

    John Chimples sat before two large screens at his house in Ditch Plain, Montauk, one day last month. He clicked a link and one of the screens came alive with the image of an older man wearing a wry smile and wrinkled features earned in ways that most human beings can barely imagine.

    The Studio Playhouse’s latest production is “Four,” a group of four one-act plays written by Long Island playwrights. It will be performed from next Thursday through Dec. 3 at LTV’s Studio 3 in Wainscott.

    The community group, which was formed earlier this year in collaboration with LTV, performed “Destry Rides Again” in June. This time they have plays by Frank Tangredi, Michelle Murphy, and Hortense Carpentier.

    Japan has an early start in commemorating next year’s centennial of Jackson Pollock’s birth. Its Aichi Prefectural Museum of Art in Nagoya has opened an exhibit of some 60 of his works.

Two on the Rise

    Davenport and Shapiro Fine Arts in East Hampton will show the work of two artists, Eddie Rehm and Emanuel Buckyar, beginning tomorrow with a reception on Saturday from 5 to 9 p.m. Long Island painters, they are fresh to the scene but rising in reputation.

    “We were intrigued by the collaboration between two artists with distinct styles, one almost disturbingly energetic, and the other . . . calming for all its now almost classical allusions to the AbEx tradition,” said Leonard Davenport, a partner in the gallery.

    The Drawing Room gallery, which was opened by Emily Goldtein and Victoria Munroe in an allée off the north side of Newtown Lane in East Hampton Village in 2004, has moved to a temporary spot farther west on the same street, next to Mecox Gardens and across from Waldbaum’s.

    “We outgrew the space two or three years ago,” said Ms. Munroe recently. Between that and knowing a year ago that they would have to leave their nook, they had been looking around and feel lucky to have found the space at 66 Newtown Lane.

Birds have twigs and branches, and accommodate on lordly grasses. When in gardens we employ benches and chairs and, at times, a grounded tree trunk, our obliging constructs of metal, modified wicker, concrete and stone, as well as wood.

Fall Showing of the Alliance

    The Artists Alliance of East Hampton will present its fall art exhibit beginning tomorrow at Ashawagh Hall in Springs. The exhibit of work by 46 of its members will continue through Sunday.

    A reception will be held on Saturday from 5 to 7 p.m.

New Art at Demato

    The Richard Demato Gallery in Sag Harbor will open a new show of work by Kyla Zoe Rafert on Saturday with a reception from 6 to 8 p.m.

    Picture a plethora of fans, cheering on their favorites as more and more participants are disqualified, sneaking forward to nab an autograph but perhaps secretly hoping to see an up-close “crash and burn” scenario.

    Sounds like the Indy 500, but it also describes the dance marathons of the 1930s.

The Italian poet Antonio Porchia once wrote, “Following straight lines shortens distances, and also life.”