Arts

Holiday Show

    The Romany Kramoris Gallery has a holiday exhibit on view that includes the work of Shey Wolvek, Isabel Pavao, Jude Amsel, Christopher Engel, George Wazenegger, Laura Rozenberg, and Maria Orlova. It focuses on small works of art, and there will be special pricing on artists of the week. The show is up through Jan. 8 at the Sag Harbor gallery.

“Painter of Long Island”

    Beginning tomorrow at 4 p.m., East Enders will have an opportunity to experience a classic story in a bygone way when Peconic Public Broadcasting at 88.3 FM presents a radio play of “A Christmas Carol,” produced and performed by members of the community.

    The hourlong piece, with British accents and sound effects, is the brainchild of Bonnie Grice, a host and producer at the radio station of shows such as “The Song Is You” and “Eclectic Cafe.” Michael Disher, a theater director for the Southampton Cultural Center and a drama teacher on the South Fork, is directing.

    John Chimples sat before two large screens at his house in Ditch Plain, Montauk, one day last month. He clicked a link and one of the screens came alive with the image of an older man wearing a wry smile and wrinkled features earned in ways that most human beings can barely imagine.

    The Studio Playhouse’s latest production is “Four,” a group of four one-act plays written by Long Island playwrights. It will be performed from next Thursday through Dec. 3 at LTV’s Studio 3 in Wainscott.

    The community group, which was formed earlier this year in collaboration with LTV, performed “Destry Rides Again” in June. This time they have plays by Frank Tangredi, Michelle Murphy, and Hortense Carpentier.

    Japan has an early start in commemorating next year’s centennial of Jackson Pollock’s birth. Its Aichi Prefectural Museum of Art in Nagoya has opened an exhibit of some 60 of his works.

Two on the Rise

    Davenport and Shapiro Fine Arts in East Hampton will show the work of two artists, Eddie Rehm and Emanuel Buckyar, beginning tomorrow with a reception on Saturday from 5 to 9 p.m. Long Island painters, they are fresh to the scene but rising in reputation.

    “We were intrigued by the collaboration between two artists with distinct styles, one almost disturbingly energetic, and the other . . . calming for all its now almost classical allusions to the AbEx tradition,” said Leonard Davenport, a partner in the gallery.

    The Drawing Room gallery, which was opened by Emily Goldtein and Victoria Munroe in an allée off the north side of Newtown Lane in East Hampton Village in 2004, has moved to a temporary spot farther west on the same street, next to Mecox Gardens and across from Waldbaum’s.

    “We outgrew the space two or three years ago,” said Ms. Munroe recently. Between that and knowing a year ago that they would have to leave their nook, they had been looking around and feel lucky to have found the space at 66 Newtown Lane.

Birds have twigs and branches, and accommodate on lordly grasses. When in gardens we employ benches and chairs and, at times, a grounded tree trunk, our obliging constructs of metal, modified wicker, concrete and stone, as well as wood.

Fall Showing of the Alliance

    The Artists Alliance of East Hampton will present its fall art exhibit beginning tomorrow at Ashawagh Hall in Springs. The exhibit of work by 46 of its members will continue through Sunday.

    A reception will be held on Saturday from 5 to 7 p.m.

New Art at Demato

    The Richard Demato Gallery in Sag Harbor will open a new show of work by Kyla Zoe Rafert on Saturday with a reception from 6 to 8 p.m.

    Picture a plethora of fans, cheering on their favorites as more and more participants are disqualified, sneaking forward to nab an autograph but perhaps secretly hoping to see an up-close “crash and burn” scenario.

    Sounds like the Indy 500, but it also describes the dance marathons of the 1930s.

The Italian poet Antonio Porchia once wrote, “Following straight lines shortens distances, and also life.”

    What’s so funny about peace, love, and easy listening? Randy Parsons, an East Hampton songwriter and guitarist, has released something different: a CD for adults . . . quiet, thoughtful ones.

    The fourth annual Hamptons Take 2 Documentary Film Festival, which highlights work by local filmmakers, will open on Friday, Nov. 18, with a tribute to the filmmaker Richard Leacock at Guild Hall from 5:30 to 9:30 p.m.

    The evening begins with a cocktail reception, and then features two of Mr. Leacock’s documentaries, “Happy Mother’s Day,” and “Crisis.” D.A. Pennebaker, a fellow filmmaker, will lead a panel discussion on Mr. Leacock’s work afterward along with his children, Victoria Leacock Hoffman and Robert Leacock, also filmmakers, and Pam Wise.

Chase and Ebert Show

    The Halsey Mckay Gallery in East Hampton will show an installation of new work by Louisa Chase and Sally Egbert beginning Saturday. According to the gallery, the exhibit of paintings and works on paper will display “lyrical, bold, and intuitive works that operate more as natural and corporeal extrapolations rather than traditional abstract expressions.”

Two South Fork architectural firms walked away with distinction at the 47th annual American Institute of Architects-Long Island Chapter Archi Awards ceremony on Oct. 19 in Huntington.

The Sixth Annual East End Black Film Festival, organized by the African-American Museum of the East End, will be presented tonight and tomorrow night at the Southampton Cultural Center and at the Parrish Art Musuem on Saturday from 12:30 to 9 p.m.

     There is a feeling of excitement from the Avram Theater to Chancellors Hall at Stony Brook Southampton, the center for Southampton Arts. The burgeoning graduate arts program headed by Robert Reeves has recently added theater to its roster of offerings. There are already M.F.A. degree programs in creative writing and literature. Bringing the theater arts program to Southampton is a natural progression.

As with others who have chosen the East End as an artistic retreat, Rafael Ferrer, 78, who lives in Greenport, made his way here in a circuitous route, one that reflected his own journey in making art.

    Beginning on Saturday, Guild Hall will present “Contrabando,” an exhibit that started out as an abridged version of a much larger show at El Museo del Barrio in New York last year and ended up being something else entirely.

    An autumn day, after hard frost, and an early northeaster. An autumn day of Indian summer equal to that other stunner, that miracle, a languorous June afternoon when all is still. And painful. “The present usually hurts” — Blaise Pascal (“Pensées” No. 47).

Hudson in New York

    The work of Judith Hudson, a part-time Amagansett resident, is now on view at Salomon Contemporary in West Chelsea. The show is called “Judith Hudson: Playboy Advisor” and includes works on paper from “Sex Advice Drawings.” This is a series that takes sex column dialogue and motifs and parodies them for maximum visual effect.

Guild Hall will open three art shows this weekend with a reception on Saturday from 6:30 to 8:30 p.m. — exhibits of work by Drew Shiflett and Rafael Ferrer (see related story) and a permanent-collection show.

“The first time I saw the movie, it had a profound effect on me,” said Murphy Davis, the artistic director of the Bay Street Theatre in Sag Harbor. Mr. Davis is directing a stage version of Harper Lee’s classic drama “To Kill a Mockingbird” as part of the theater’s Literature Live series.

    Spoiler alert: At the end of this picaresque romp, “Lucky Bruce,” the author, playwright, and screenwriter Bruce Jay Friedman (author of “Stern” and “The Lonely Guy’s Book of Life” and screenwriter of “Splash”) admits: “And always — no matter how weak the knees and frail the bank account — there has been the pleasure at Customs of filling in the blank for Occupation with the single word that has always felt treasured and benighted: writer.”

“Lucky Bruce”

Bruce Jay Friedman

Biblioasis, $26.95

    Bring two artists together, both sculptural and structural in their approaches, and unleash them on an unusual and open space, giving them few limitations except that their materials must be locally sourced and no more than $40 in cost. It’s an interesting recipe and one that could have resulted in bedlam or, worse, boredom.

    Those who like their ballet and opera over coffee and a muffin will appreciate the live gala reopening of the Bolshoi Theatre in Moscow presented at 10 a.m. tomorrow at the Parrish Art Museum in Southampton.

    The simulcast will include performances by the ballet troupe as well as some of opera’s finest artists performing for the theater and the world during the historic event.

Focus on Materials

    The Southampton Cultural Center’s fall exhibit, which opens today, will turn a spotlight on materials in the work of several artists, whether they have created those materials or repurposed them for their art.

    “Material Matters” brings together the sculpture of artists such as James DeMartis, Don Saco, Eric Ernst, Margaret Kerr, James Gemake, and Robert Skinner. Arnold Hoffmann Jr., who is known more for his printmaking, is represented here with two balsa wood constructions he made in the 1960s.

    It’s unusual that a photograph can make a painting come alive more than the painting itself, but that is often the case with the images in “Roy Lichtenstein in His Studio,” a book of photographs by Laurie Lambrecht of the artist’s studio in Southampton and him at work in it. Monacelli Press, an imprint of Random House, will publish the book on Tuesday.

    Matthew Broderick and even his interviewer, Alec Baldwin, revealed much about themselves and their careers in a freewheeling discussion on Saturday at Guild Hall that included some surprises and surprisingly candid insights on hits, flops, directors, and Marlon Brando. The talk was part of the Hamptons International Film Festival Conversations series.

    It’s common knowledge that Andy Warhol was an enigma. David Bailey’s 1973 documentary mediation on him for the BBC, shown on Friday at the Hamptons International Film Festival, does not change that perception and yet it does manage to further our understanding of his world and reveals some glimpses of his humanity.

    John Pomianowski does not pose as a painter. In talking about his work on Saturday at the Out East Gallery in Montauk, his speech was as refreshingly free of opaque jargon as his paintings are free of schooled artifice.

A visitor to the gallery attempted to lure him into a discussion of the light the East End was famous for among plein-air painters past and, presumably, present. The oils and watercolors large and small, mostly seascapes, now hanging at the gallery are full of light. The oils were done in the late 1990s.