Arts

The future looks bright for Peter Landi and his band, the Glazzies. The band, whose other member is Dave Horn on drums, recently signed to Old Flame Records and expects a summer 2015 release of its second album, “Kill Me Kindly.” Touring in and outside of the U.S. will follow, along with the release of an EP that features Emmett Murphy (better known as Murph) of the alternative rock ’n’ roll band Dinosaur Jr.

The John Drew Theater Lab will present a free staged reading by John Shuman of “Underneath the Lintel,” a 2001 play written by Glen Berger, on Tuesday at 7:30 p.m. The one-character play follows a librarian who discovers a returned book that is more than 100 years overdue and embarks on an around-the-world hunt for the borrower’s identity.

During what is now known innocuously as the holiday season, many people set aside time for at least one live music performance. Those looking for Advent music found a perfect opportunity on Sunday to hear two musical settings of the Canticle of Mary, otherwise known as the Magnificat. The Choral Society of the Hamptons once more joined forces with the South Fork Chamber Orchestra and a quartet of fine soloists to present an uplifting concert featuring interpretations from Johann Sebastian Bach (1685-1750) and Felix Mendelssohn (1809-47).

“The 50 Year Argument” by Martin Scorsese and David Tedeschi, screened at the Hamptons Take 2 Documentary Film Festival, offers proof not just of the vitality of the documentary medium, but of the growing importance of the festival itself.

This year’s program included a gala honoring Barbara Kopple, the award-winning director of films such as “Harlan County USA,” a film by Michael Apted, as well as “The 50 Year Argument,” an examination of The New York Review of Books. The screening was followed by a discussion with Jason Epstein, one of the publication’s founders.

In 1950, Connie Fox embarked on a 1,000-mile bicycle trip through Europe with two friends. On Nov. 1, she was in St. Peter’s Square in Rome when Pope Pius XII declared the Assumption of Mary as dogma. Bill King happened to be in the same place at the same time. They first met briefly during the 1960s at an art opening in Berkeley, Calif., but it was not until 1980, after Ms. Fox moved to East Hampton, that they found themselves together again, this time as fiddlers in Audrey Flack’s bluegrass band.

The Southampton Arts Center in Southampton Village will have an open house for the holidays on Saturday from 4:30 to 6:30 p.m.

In honor of the center’s current show, “Awkward Family Photos,” guests will be encouraged to take their own pictures at a holiday-themed photo booth with a seasonally appropriate backdrop and props. Those with ugly holiday sweaters or similarly themed attire have been invited to don them for the event.

The Perlman Music Program has been awarded an Art Works grant from the National Endowment for the Arts. The $50,000 grant will support the Summer Music School on Shelter Island, the organization’s signature program.

The Shinnecock Nation Cultural Center and Museum in Southampton will hold its 13th annual winter festival Saturday from 11 a.m. to 5 p.m. The free event will feature live dance and musical performances, food, children’s activities, and the Art Market, which offers authentic Native American-made jewelry, art, and other handcrafted traditional and contemporary pieces.

“Winter Salon”

The Drawing Room in East Hampton will open its “Winter Salon” tomorrow morning at 10. The exhibition includes work by 37 contemporary artists as well as a selection of historical works on paper. Participating artists include Polly Apfelbaum, Carol Gove, Robert Harms, Sue Heatley, Robert Jakob, Vincent Longo, Diane Mayo, Raja Ram Sharma, and Jane Wilson.

The gallery’s winter hours are Fridays and Saturdays from 11 a.m. to 5 p.m. and Sundays from 11 to 4. 

Parrish’s New Installation

The Southampton Cultural Center has announced a new program, Local Talent @ SCC, which will make the Levitas Center available without charge to East End artists of all disciplines for recital and performance.

The Choral Society of the Hamptons will present its annual Christmas program on Sunday, with two performances of “Celebrate With Bach and Mendelssohn” at 3 and 5:30 p.m. at the Bridgehampton Presbyterian Church. The concerts will feature Bach’s Magnificat and Mendelssohn’s Magnificat and “Behold a Star From Jacob Shining.”

Last summer, Sophie Chahinian successfully launched a Kickstarter campaign, ultimately raising $25,000 to help fund the Artist Profile Archive. It’s a website that houses short-form videos of contemporary artists discussing their own work.

Three of Ms. Chahinian’s videos are now on display at Guild Hall as part of its current exhibition of new additions to the permanent collection. A gallery talk and guided tour, led by with Christina Strassfield, Guild Hall’s chief curator, will take place on Saturday afternoon at 3 p.m.

The Parrish Art Museum in Water Mill will screen “Four American Composers: John Cage” tomorrow at 6 p.m. An excerpt from Peter Greenaway’s 1983 documentary “Four American Composers,” it profiles the avant-garde composer, writer, and artist whose influence has been felt in the visual arts and dance, as well as by composers and musicians ranging from Stockhausen to Morton Feldman to Philip Glass to Frank Zappa.

The group called Our Fabulous Variety Show will return to Guild Hall this weekend with four performances of “A Spectacular Christmas Carol,” its retelling of Dickens’ classic story. The show will present the tale of Scrooge, played by Tony D’Alessio, and the three ghosts through song and dance.

Five Young Contemporaries

The Parrish Art Museum has developed the Parrish Contemporaries Circle, for younger patrons of the museum ages 21 to 45. The group will offer access to six art-related events and experiences each year on the East End and the New York metropolitan area. These will include private collection and artist’s studio tours and networking events.

On Tuesday, the first such event will take place at the FLAG Art Foundation in Manhattan, where Eric Fischl will be there to discuss the exhibition “Disturbing Innocence.”

The East Hampton Library will screen “Stuart Sutcliffe: The Lost Beatle” Saturday at 1 p.m. The 60-minute BBC documentary, directed in 2005 by Steve Cole, tells the story of Sutcliffe, who became friends with John Lennon in 1957 when both were students at the Liverpool School of Art, and joined the rock group, then known at the Quarrymen, in 1959.

 Cherish the Ladies, an ensemble that has grown over the past 29 years into the most successful Irish-American group devoted to Celtic music, will perform “A Celtic Christmas” on Saturday at 8 p.m. at Guild Hall.

Named after a traditional Irish jig, the group of five women blends vocals, step dancing, and a variety of instruments, including the fiddle, mandolin, flute, whistle, and piano, into a lively package of traditional Irish culture.

The Parrish Art Museum in Water Mill will present the Long Island premiere of “Making Space: 5 Women Changing the Face of Architecture,” tomorrow at 6 p.m.

Selected for the 2014 Architecture and Design Film Festival in New York City, the 50-minute documentary profiles the lives and work of Annabelle Selldorf of New York, Marianne McKenna of Toronto, Kathryn Gustafson of Seattle and London, Farshid Moussavi of London, and Odile Decq of Paris.

Forty-six years to the day after the Beatles released the eponymous album that is commonly known as “The White Album,” a most interesting and perhaps unusual homage to that sprawling, 30-track work of genius followed it into the world and the collective consciousness. Last Saturday, another rock ’n’ roll quartet, this one known as the Mercyfunks, released “Don’t Pet the White Dog,” a sort of New Wave version of “The White Album.”

A Thanksgiving weekend tradition, along with turkey sandwiches with cranberry sauce and stuffing, the East Hampton Historical Society’s annual house and garden tour will return on Saturday from 1 to 4:30 p.m.

This year, the society is saluting the shingle, the South Fork construction staple from its earliest days. Houses from those earlier times, as well as more recent construction that plays with the vernacular, will be featured.

Two at Halsey Mckay

Halsey Mckay Gallery in East Hampton is presenting concurrent solo exhibitions of work by Arielle Falk and Ted Gahl through Dec. 14.

Ms. Falk, a Brooklyn-based multidisciplinary artist, is represented by “Wrecked,” an installation based on her 60-day tenancy in a rooftop cabana in Bushwick last summer. Isolated and exposed to the weather, she became a castaway on her own “roof island.” The exhibition consists of what she calls “tattered flags” or “remnants of sails from a shipwreck.”

Vincent Longo had his first exhibition in New York in 1949. Since then his paintings and prints have been shown extensively and joined the collections of dozens of important museums here and abroad. During that time, from Abstract Expressionism through Pop, Minimal, Conceptual, and many other kinds of art, his work has remained resolutely his own. Not static, but driven by beliefs and principles that have informed his practice from the beginning.

“A Cavalcade of Dolls and Toys” will open Saturday at Clinton Academy in East Hampton and remain on display on Saturdays and Sundays through December.

The exhibition features dolls and toys from years past, among them a whale boat pull toy, a red fire truck, Mr. and Mrs. Weasel, Noah’s Ark, sleds, a milk pickup truck, and many more. A special feature is a Christmas village nestled beneath a tall Douglas fir, lent by an East Hampton resident who wanted to share her childhood display with the community.

Michael Wolfe, director, writer, star, and co-producer of “Maybe Tomorrow,” an independent dramatic film that has just been released on DVD, began his film career with humble ambitions. As teenagers growing up on Long Island in the early 1990s, he and his friends made skits using his father’s video camera and showed them at parties.

Guild Hall is offering an eight-session Shakespeare workshop for actors and actors-in-training beginning today at 6 p.m. and continuing through Feb. 5. Students age 16 and up will work on sonnets, monologues, mask work, scene work, and more, culminating in a performance on the stage of the John Drew Theater on Feb. 11 at 7 p.m.

During a two-day auction held last week in Easton, Md., in conjunction with the annual Maryland Waterfowl Festival, six shorebird decoys carved by Eugene Cuffee, a Shinnecock Indian who has been dead for 73 years, sold for a total of $12,550.

Paton Miller at Horowitz

“Paton Miller: The Edge of the World,” an exhibition of recent and older works that reflect the Southampton artist’s longstanding exploration of the interface between land and sea, will open Saturday at Glenn Horowitz Bookseller in East Hampton and remain on view through Dec. 31. A reception will take place Saturday from 5 to 8 p.m.

The Public Theater in New York City has installed “Posters for Papp,” an ongoing exhibition of Paul Davis’s artwork for the theater company and its founder, Joseph Papp.

Between 1975 and 1991, Mr. Davis, who lives in Sag Harbor and New York, created 51 posters for productions at the theater’s Astor Place home, the Delacorte Theater in Central Park, and the theater’s residencies at Lincoln Center and on Broadway.

El Colegio del Cuerpo, a performance and dance group from Colombia currently in residence at the Watermill Center, is offering a free workshop there for all ages on Saturday at 11 a.m. Participants will be taken through a movement class and will learn excerpts from the company’s repertoire. A walking tour of the center’s grounds, building, and collection will follow the workshop, and the group will hold an open rehearsal at 3 p.m.

Gesture Jam, a theatrical figure-drawing class led by Andrea Cote, an artist and educator who lives in Flanders, will take place at the Parrish Art Museum in Water Mill tomorrow at 6 p.m. Rather than a traditional life-drawing class, Gesture Jam has models posed dramatically in various scenarios.