In the collection of the Fogg Museum at Harvard University, shows the influence of Joan Miro and Arshile Gorky on de Kooning in the late 1930s.
On loan from the Albright-Knox Art Gallery, is an example of the artist’s urban landscapes from the 1950s.
From MoMA’s own collection, demonstrates the artist’s late style, when he was prolific even in fading health.
A 1952 pastel from the Museum of Contemporary Art, Los Angeles, shows the artist’s preparatory work on paper for one of his defining series.
A bronze sculpture from 1972, shows the effect the move to Springs had on the artist’s subject matter.